Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

《简单易懂魔法科！》为魔法科高校的劣等生的官方SD动画，简单易懂魔法科！是由Q版的魔法科高校的劣等生中司波兄妹为大家解说魔法科高校中的内容、设定等的3分钟小剧场。

我们正身处一个科技快速发展的变革时代，科技的双刃性在带给我们舒适生活体验的同时，也让犯罪手段日新月异。司法鉴定站在与各类科技犯罪斗争的最前线，掌握着最前沿的犯罪情报。实践发现，由于公众缺少相应知识和警惕性而遭受侵害的案件数量逐年升高。在扼腕痛惜的同时，希望通过警示类科普项目，提升社会对新型犯罪手法的认知，有效防范、规避各类陷阱、风险，树立警戒意识，守护自身安全。同时也希望通过知识传播，让司法鉴定服务不再限于案发后的证据固定，而是将犯罪行为扼制在萌芽中，与各方共同创建安全稳定和谐的社会环境。

《魔法科高校的劣等生》中的Q版角色进行世界观和设定解说的SP动画。

电视动画片《魔法科高中的劣等生》改编自佐岛勤原作的同名轻小说，由MADHOUSE负责制作。动画于2014年4月5日起在TOKYO MX、栃木电视台、群马电视台首播，全26话。第2期动画“来访者篇”于2019年10月宣布动画化的决定。剧场版《魔法科高中的劣等生：呼唤繁星的少女》于2017年6月17日在日本上映。故事发生在二十一世纪末的日本。魔法，这不是一个传说，而是现代科学的一项技术。它被应用至今已经过了一个世纪。曾经被称为「超能力」的先天具有的能力被以“魔法”这个名字的体系替代，高超的的魔法师被认为是国家的实力。西历 2095 年的春天，新生入学的季节。国立魔法大学附属第一高中——通称“魔法科高中”，是由成绩优秀的“一科生”，和作为一科生替补的“二科生”所构成，他们也各自被冠上了“花冠（bloom）”，以及“杂草（weed）”之名。就在这样的魔法科高中里，一对兄妹入学了。

魔法——這不是傳說或童話的產物，而是發展至今將近一個世紀的現實技術。今年春天，持有施展魔法能力的「魔法師」培育機構「魔法科高中」，某位少女將入…

玛格丽特·杜拉斯 谈论她的作品“写作”，纪录片，时长43分钟，彩色，video。